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Saturday, August 24, 2013

The Devil's Cave

 

Bruno Courréges seldom felt happier about the community he served as chief of police than when standing at the rear of the ancient stone church of St. Denis, listening to rehearsels of the town choir. Unlike the formal ceremonies at Mass when the singers dressed in neat white surplices, the choir practiced in their normal dress, usually gathering immediately after work. But Father Sentout's daring decision that the choir should reach beyond its usual repertoire to attempt Bach's St. Matthew's Passion had required some additional rehearsels early in the morning. Farmers stood alongside schoolteachers and accountants, waitresses and shopkeepers. These were people Bruno knew, wearing clothes he recognized, and usually singing hymns that were familiar, perhaps the only memory of his church orphanage that still gave him pleasure.
Martin Walker
 
 
This is 6th in the series of Bruno Courrèges, Germandier of St. Denis in the Dordogne department, southwestern France, which corresponds to the ancient county of Périgueux.
 
This entry in the series is my new favorite, although I've fully enjoyed them all--learning much about the history of the region and of France, the people and culture of the Pèrigueux, and the foods and produce that underwrites the economy and way of life.
 
Don't miss the unbelievable roast chicken recipe on pgs. 226-229.
 

Monday, July 22, 2013

San Miguel


About suffering, they were wrong,
The Old Masters; how well they understood
Its human position: how it takes place
While someone is eating or opening a window
or just walking dully along.
--W.H. Auden, Musée des Beaux Arts



Historical fiction. Extremely well-done. Makes me want to read the historical accounts of the true inhabitants: The Legendary King of San Miguel (Elizabeth Sherman Lester), San Miguel Island: My Childhood Memoir, 1930-1942 (Betsy Lester Roberti) and Mrs. Waters' Diary of Her Life on San Miguel Island (edited by Marla Daily).
Inez Deane
Does life go on? It does though she sank low enough to consider the alternative, even going so far as to take her stepfather's rifle down from its hook and caress the trigger where it shone silver from use, and she spent one dismal fog-haunted afternoon suspended over the ocean on a fragment of rock no wider than the seat of a chair, daring herself to jump. She could hear the crash of the waves, taste the salt spray. The damp penetrated her hair, slicked the rock till it might have been greased....
pg. 199
 
 
Great backlist. I'm excited. I love finding an author I love who's beenbwriting for awhile. Keeps me happy m

Thursday, July 18, 2013

Hunting Down Amanda




This story begins on a summer's day in Hell.

The day was July thirteenth to be exact. And Hell was a little town called Hunnicut, Massachusetts.

Before it turned into Hell, it was actually kind of a nice little place. A fishing town. Hills of beryl forests above sunlit bays. Trim shingled houses on tree-lined lanes. Restored Main Street with quaint tourist shops and a couple of decent seafood restaurants overlooking the water.
First Paragraphs
Well-written. Takes a bit to get completely drawn into the characters lives. Yet, you do get drawn in and appreciate, then gripped by, the complexities of the story.
Definitely want to read True Crime and his other books. Some written under the nom de plume Keith Peterson.

Sunday, July 14, 2013

Thursday, May 30, 2013

The Sandcastle Girls

 
 

From Amazon:
The Sandcastle Girls is a sweeping historical love story steeped in Chris Bohjalian's Armenian heritage.
When Elizabeth Endicott arrives in Aleppo, Syria she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. The year is 1915 and she has volunteered on behalf of the Boston-based Friends of Armenia to help deliver food and medical aid to refugees of the Armenian genocide. There Elizabeth becomes friendly with Armen, a young Armenian engineer who has already lost his wife and infant daughter. When Armen leaves Aleppo and travels south into Egypt to join the British army, he begins to write Elizabeth letters, and comes to realize that he has fallen in love with the wealthy, young American woman who is so different from the wife he lost.

Fast forward to the present day, where we meet Laura Petrosian, a novelist living in suburban New York. Although her grandparents' ornate Pelham home was affectionately nicknamed "The Ottoman Annex," Laura has never really given her Armenian heritage much thought. But when an old friend calls, claiming to have seen a newspaper photo of Laura's grandmother promoting an exhibit at a Boston museum, Laura embarks on a journey back through her family's history that reveals love, loss - and a wrenching secret that has been buried for generations.
 
 
Author's Note: The centennial of the Armenian genocide is nearing. April 24, 2015, marks the one-hundred-year anniversary of the roundup of the Armenian intellectuals, professionals, editors, and religious leaders in Constantinople, most of whom eventually were executed. It was, arguably, the start of the most nightmarish eight years in Armenian history--though the very worst would occur in the subsequent eighteen months, culminating with the 1916 massacres at Ras-el-Ain and Der-el-Zor.

Our history books in school were so incomplete. Totally mediated and scrubbed clean. Focused on superiority and patriotism. I think the first I heard any mention of these horrific events was just a couple of years ago. But, I've heard a similar story from my Estonian friend. Her father was a seminarian and intellectual who escaped to Germany in the late 1930s and survived, while his colleagues stayed in Tallinn. RvH's father was called on to identify the bodies. Within a few years the family immigrated first to Britain and finally to the Chicago area. There's definitely an Estonian story to tell. And, how many others?

Sunday, March 17, 2013

Joy for Beginners

 
 
 
Life came back slowly, Kate realized. It didn't come flooding in with the reassurance that all was well. The light outside was no different; her daughter's body, the strength of her hug, was not necessarily more substantial. The delicate veil Kate placed between herself and the world was not flung away. It clung.
But life is persistent, slipping into your consciousness sideways, catching you with a fleeting moment of color, the unexpected and comforting smell of a neighbor's dinner cooking as you walk on a winter evening, the feeling of warm water running between your fingers as you wash the dishes at night. There is nothing so seductive as reality.
Erica Bauermeister
 
This is the story of Kate, but really of seven women, gathered together first to support a young mother with newborn twins. Then, life and time draws them closer while unravelling their separate stories and experiences.
 
I am one of five sisters and because of, or in spite of, that I have always been intriqued by how diverse women connect and are drawn into community. That imperfection labeled friendship. Sometimes unequal, frustrating, inconsistent. Often fleeting and temporal. At best enduring, forgiving, understanding, tolerant, unconditional.
 
Recently I've been considering how one initiates and builds new and true friendships later in life when we are all less trusting, patient, open.
 

Friday, March 1, 2013

Where We Belong

 

 

I know what they say about secrets. I've heard it all. That they can haunt and govern you. That they can poison relationships and divide families. That in the end, only the truth will set you free. Maybe that's the case for some secrets. But I truly believed I was the exception to such portents, and never once breathed the smallest mention of my nearly two decadelong secret to anyone. Not to my closest friends in my most intoxicated moments or to my boyfriend Peter in our most intimate ones. I didn't even discuss it with my mother, the only person who was there when it all went down, almost as if we took an unspoken vow of silence, willing ourselves to let go, move on. I never forgot, not for a single day, yet I was also convinced that sometimes, the past really was the past.

Where We Belong

Emily Griffin

 

Sometimes, I crave a well-written, light novel. This one perfectly fit that craving. A well-crafted, contemporary story--told in two time-frames. Not a perfect novel, not a tricky plot. Yet, I liked the characters for the most part, and I was routing for them. An ambiguous ending that pleased me because it didn't make an obvious or trite leap, but still left me hopeful.

That aside, I can't stop myself from commenting on how many novels I've read recently that skip back and forth between perspectives, between eras, between timeframes--sometime four or more timeframes. Enough already! It's O.K. to tell a story sequentially, chronologically. Two timeframes, three perspectives should be enough for any book. Really.