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Thursday, March 11, 2010

JULIET, NAKED



They had flown from England to Minneapolis to look at a toilet. The simple truth of this only struck Annie when they were actually inside it: apart from the graffiti on the walls, some of which made some kind of reference to the toilet's importance in musical history, it was dank, dark, smelly and entirely unremarkable. Americans were very good at making the most of their heritage, but there wasn't much even they could do here.
Juliet Naked
Nick Hornby

And, another line I particularly like...

It had taken her about a minute and a hlaf to work out that, if Duncan every looked at the fridge, he would have not idea who he was staring at, and the ironies of that were good enough and large enough to eat with a knife and fork, on their own, with no accompanying bitterness.

Sunday, February 21, 2010

A MILLION MILES IN A THOUSAND YEARS




The saddest thing about life is you don't remember half of it. You don't even remember half of half of it. Not even a tiny percentage, if you want to know the truth. I have this friend Bob who writes down everything he remembers. If he remembers dropping an ice cream cone on his lap when he was seven, he'll write it down. The last time I talked to Bob, he had written more than five hundred pages of memories. He's the only guy I know who remembers his life. He said he captures memories, because if he forgets them, it's a though they didn't happen; it's as though he hadn't lived the parts he doesn't remember.
Donald Miller

And...

Writing a story isn't about making your peaceful fantasies come true. The whole point of the story is the character arc. You didn't think joy could change a person, did you? Joy is what you feel when the conflict is over. But it's conflict that changes a person.

Tuesday, December 29, 2009

LIKE FAMILY: Growing Up in Other People's Houses




Dogs are easy. If their tails are up and their eyes are soft, you're in. Sometimes they need to smell your hands, your shoes, between your legs. Sometimes they just throw themselves full tilt, all of them at all of you--like the Lindbergh's dogs. They were what we saw first, a happy blur along the fencing as our social worker, Mrs. O'Rourke. slowed the car and stopped in front of the whitewashed wooden gate.
Like Family
Paula McLain

Thursday, December 24, 2009

BLUE LIKE JAZZ





I never liked jazz music because jazz music doesn’t resolve. But I was outside the Baghdad Theatre one night when I saw a man playing the saxophone. I stood there for fifteen minutes and he never opened his eyes.


After that I liked jazz music.


Sometimes you have to watch somebody love something before you can love it yourself. It is as if they are showing you the way.


I used to not like God because God didn’t resolve. But that was before any of this happened.
Donald Miller
[not a first paragraph, but one of Miller's choices]

Tuesday, December 22, 2009

NOTTING HELL




I don't know what woke me up--I drank no alcohol last night, I observed the carb curfew, I had only one espresso during the day, plus I did a Pilates class and hours of gardening in the fresh air--but I'm definitely awake now. Wide awake.
Rachel Johnson


I love Rachel Johnson's punctuation stylings. I write similarly. I wonder if she also uses too many !!!!? I read somewhere that you are only allowed two in a lifetime...

Monday, December 21, 2009

GIFTS FROM THE SEA





The beach is not the place to work; to read, write, or think. I should have remembered that from other years. Too warm, too damp, too soft for any real mental discipline or sharp flights of spirit. One never learns. Hopefully, one carries down that faded straw bag, lumpy with books, clean paper, long over-due unanswered letters, freshly sharpened pencils, lists, and good intentions. The books remain unread, the pencils break their points, and the pads rest smooth and unblemished as the cloudless sky. No reading, no writing, no thoughts even – at least, not at first.
Anne Morrow Lindbergh

Sunday, December 20, 2009

KISSED A SAD GOODBYE





He saw each note as it fell from his clarinet. Smooth, stretched, with a smokey luster that made him think of black pearls against a woman's translucent white skin. "If I Had You," it was called, an old tune with a slow, sweet melodic line. Had he ever played this one for her?
Deborah Crombie